Joey and Rory
When Mick Jagger sang about sex, drugs and rock and roll, nobody doubted his
credibility. When Johnny Cash sang "Walk The Line," people knew he'd had
trouble walkin' one. And when Emmylou Harris sang about heartbreak, audiences
felt her ache.
Authentic artists share a gift for communicating truth; truth mined from
their own life experiences and expertly spun into three-minute, melodic
vignettes. Vanguard/Sugar Hill Records duo Joey+Rory, the husband-wife team of
Joey Martin and Rory Feek, is among that rare breed of talent that lives and
breathes what they write and sing. This duo, deeply rooted in a classic country
sound, draws listeners into an intimate, close-knit community with their debut
release The Life of a Song.
Twelve songs, seven of them co-written by Rory and Joey, comprise the
colorful landscape where this couple is perfectly in its element: scuffed
cowboy boots ("Boots"), dusty rodeo arenas ("Rodeo"), laying down the truth
("Cheater Cheater") and enduring love stories ("To Say Goodbye"). Backed by
some of Nashville's finest acoustic musicians, Joey+Rory bow a standout disc
that is as personal as it is plausible.
While her distinguishing vocal talent, influenced by Dolly Parton and Connie
Smith, rivals the competition on country playlists, Joey communicates with a
more nuanced delivery. Rory, a former Marine and decorated songwriter with
chart-topping hits by Collin Raye, Blake Shelton, Clay Walker and others,
compliments Joey with tasteful guitar work and subtle harmonies.
To any onlooker, the humble Rory, in his daily uniform of overalls and work
boots, is the obvious match for the down-to-earth Joey. The honey-voiced Joey
is a throwback to old school female country entertainers in her standard attire
of western-yoked shirts, Wranglers and belt buckles. She's as at home onstage
as at the Pottsville, Tenn., farm she shares with Rory and his two daughters.
After migrating from Indiana almost a decade ago, Joey worked with her
second love, horses, at an equine vet clinic while trying to establish her own
foothold in the music industry. After a brief, disappointing stint as a Sony
recording artist, where they recorded an album with her, but never released a
single, Joey opted for a slower pace. In 2006, along with her sister-in-law, she
opened a restaurant named Marcy Jo's Mealhouse not far from their home.
From the refurbished, clapboard mercantile in the heart of the couple's
tight-knit, rural town, mornings commence at 4 a.m. Joey, when she is not on
the road gigging with Rory, still bakes bread and pours coffee for friends and
customers at Marcy Jo's. After the lunch shift, she hones her music at the
couple's 1870's farmhouse, while Rory pens hits on music row at his publishing
company, Giantslayer Music.
Over the course of their six-year marriage, Joey and Rory's musical talents
have often intersected. "Joey's musical gift completes mine," Rory says, "her
voice makes the words I write come to life." Joey, recalling the first time she
heard Rory play his conversational tunes about small-town life and simple
faith, says, "His songs felt like home. That first night I saw him playing at
the Bluebird Café, he was speaking my language. Those were the only kinds of
songs I wanted to sing," she says.
With Joey and Rory pursuing independent music careers, the pair's musical
paths converged serendipitously this spring, after a friend suggested the two
throw their hats, quite uncharacteristically, into the ring for Country Music
Television's (CMT) nationally broadcast reality contest for duos, Can You Duet.
Rory, a Kansas native whose first writing gig was for legendary songsmith
Harlan Howard's publishing company, was apprehensive. "When I came to town in
'95, I put all my singing dreams away," he says. "I quickly realized it was a
beauty contest, and it was a game I wasn't willing to play, and one I
definitely wouldn't win," he notes. On the show, however, with Joey right by
his side, Rory was emboldened onstage. "It was like singing at home around the
kitchen table, except we were in front of millions of people each week on TV".
When the curtain went up, Joey+Rory's natural chemistry instantly hooked
fans and critics. Executives from internet retailer Overstock.com saw the pair
perform and signed Joey and Rory to be the new faces of the company's national
re-branding and ad campaign. But it was celebrity judge Naomi Judd who
championed the act from its first audition. Joey and Rory credit Judd for
imparting these poignant words of wisdom: "Not matter what anyone tells
you...Never change what you're doing."
"That was the moment that cemented [the collaboration] for us," Rory says.
Joey continues: "I grew up singing [The Judds'] 'Mama He's Crazy' with my mom,
and I had so much respect for Naomi. She confirmed everything we already felt-
that God pointed us in this direction on purpose-and she put her stamp of
approval on it."
Moments of clarity like these have been guiding the pair all along. Joey
says she knew, from the first song she heard Rory sing, she was going to spend
her life with him. For Rory, destiny came into focus a few months after meeting
Joey and was similarly was ushered in by a song. The two were swapping musical
influences one night when they stumbled upon common ground. Joey was telling
Rory about the vintage country standards she grew up hearing her father play on
his twelve-string. "They were all old songs he and Mom used to play, I'd never
heard them on the radio," she recalls.
Rory shares a similar back story, as his father's biggest, unrealized dream
was to be a country singer. When Joey grabbed a guitar and started in on Jim
Reeves' 1950's gem, "Have I Told You Lately That I Love You," Rory was
enraptured. "My dad played and sang the same 10 songs his whole life, and 'Have
I Told You Lately' was his favorite. It's the only song that was sung at his
funeral. I had been in Nashville for seven years, and no one had ever played,
or even mentioned, that song. I knew in that moment we were supposed to be
together," he says.
The duo's debut, produced by Grammy Award-winning producer Carl Jackson
(Alison Krauss, Merle Haggard), reflects the collective heart of Joey+Rory.
"We've been writing songs about our lives together for the last few years, and
this is perfect timing because we have songs that are uniquely ours. We're not
just telling a story, but telling our story," Rory says. aFan favorites, culled
from Joey+Rory's Can You Duet run, will also be part of the October release, in
addition to new tracks penned by Shawn Camp , Jason Patrick Mathews and others.
"Cheater Cheater," the buoyant and brash anti-"Jolene," is the duo's first
single. The industry-poking "Play The Song," with which the couple auditioned
for the show, also made the cut, in addition to a soulful waltz rendition of
Lynyrd Skynyrd's "Freebird."
"This is a special part of our lives and love story-just like the restaurant
is a part of Joey's life, and just like songwriting is a part of mine,"
comments Rory. "The reason we have the plus sign between our names is because
at first it was Joey. Add me in there, and the combination just feels right I
guess. You know, it's great to do what you love for a living, but it's a whole
different game to get to do it with the one you love.
Bio Written by: Lizza Connor Bowen
Nitty Gritty Dirt Band
-'Speed of Life' is Nitty Gritty Dirt Band's newest studio album, featuring core members
Jeff Hanna, Jimmie Fadden, Bob Carpenter, and John McEuen. The band recorded
'Speed' live in Nashville's Blackbird Studio, with George Massenburg and Jon Randall
Stewart producing.
-With a career that spans five decades, Nitty Gritty Dirt Band has gone from a hippie
jug-band to pioneers of country rock, and their influence is still being felt today.
Formed in Southern California, the band released their self-titled debut album in
1967, which included the hit "Buy For Me The Rain." It was their 5th record, 1970's
'Uncle Charlie and His Dog Teddy,' that would become band's breakthrough project,
yielding three hits including their version of Jerry Jeff Walker's "Mr. Bojangles."
-Nitty Gritty Dirt Band's 'Will the Circle be Unbroken,' a three-LP set recorded live in
the studio in Nashville over six days in 1971, became a landmark event and a multiplatinum
success. The album featured the band collaborating with their heroes, a
veritable summit of talent including Earl Scruggs, Doc Watson, Merle Travis, Roy Acuff
and Mother Maybelle Carter. 'Circle...' remains such a significant album that nearly
thirty years after its original release, it was one of 50 recordings to be honored and
preserved by the Library of Congress.
-In the early 80s, the band returned to Nashville and continued to top charts for
another decade with songs such as "Dance Little Jean," "Workin' Man," "Long Hard
Road," "Baby's Got A Hold On Me" and "Fishin' in the Dark."
-In 1989, the group revisited the 'Circle' concept with great success, gathering another
impressive roster of performers (including Johnny Cash, EmmyLou Harris, Levon Helm,
Chet Atkins, Bruce Hornsby, John Hiatt and Roseanne Cash) for sessions that had a
pronounced country-gospel feel. 'Circle II' would go on to win three GRAMMY Awards
and the Country Music Association's Album of the Year.
-In 2002 'Circle III' (with many current artists added to the previous cast) received
similar accolades and attention, garnering the International Bluegrass Music
Association Recorded Event of the Year award as well as leading to a 2005 GRAMMY for
Country Instrumental Performance (with Earl Scruggs, Randy Scruggs, Jerry Douglas
and the late Vassar Clements).
-Nitty Gritty Dirt Band's influence continues to trickle down through generations of
roots music, inspiring artists from Sam Bush and Jerry Douglas to the Avett Brothers.